Month: February 2022

FINDING HOPE IN THE ODDEST PLACES: The Magician’s Nephew Surprises

I revisit a beloved children’s books with new eyes.

 

 

 

 

 

 

 

 

 

 

I often go back and reread books, sometimes many times. I always find something new, or something I completely overlooked the first time through.

One of my biggest overlooks was when I reread Sterling North’s beloved young adult novel, RASCAL, originally published in 1963. Although I’d read it several times, it was only as I was reading it aloud, word by word, in my kids’ classes as a guest reader, that I found the saddest part. North mentions that  he contracted polio later that year.

That last summer with Rascal was also his last year of perfect freedom.

Now I will always see that story through different eyes.

Lately, I’ve been rereading The Chronicles of Narnia series by C.S. Lewis, published in 1955.  Again, I reread them several times since I discovered the books in high school. I’ve just finished the second book (in Narnia time), The Magician’s Nephew. And I found two more jaw-droppers.

This book shares the story of Narnia’s creation, and introduces Aslan, the god-like lion who’s at the heart of this series. I read page after page of the creation of stars, sky, mountains and valleys, rivers and lakes, and the emergence of animals. Aslan then selects two members of each species, male and female, and gives them the power of speech and (human) intelligence.

And then he selects several of them from several species to create his council.

All males. Only males.

I missed that in every single reading. Wow. Just….wow. (A victim of his times, perhaps. I hope.)

Fortunately, that’s not my little ray of hope today. Except the hope that if Lewis were alive today, he might choose to do (a little) better regarding a woman’s ability to be part of a wise council.

No, instead, there was this bit:

Digory, who hopes to find a cure for his dying mother, is sent to find an apple in a very special garden, and bring it back to Aslan. He’s accompanied by his friend Polly, and they will ride a horse, a fellow visitor from our world, who has been transformed into a winged horse by Aslan.

Aslan, looking to the west, gives them guidance with these directions:

“Do not fly too high”, said Aslan. “Do not try to go over the tops of the great ice-mountains. Look out for the valleys, the green places, and fly through them. There will always be a way through.”

Do you see it?

We can have a grand goal, a dream, a path we desperately wish to find through life.

But we don’t have to go to all the harsh places, the cruel places. We don’t have to always put ourselves in that position to follow our hearts.

Instead, we can honor our dreams in a way we can manage. We know that huge obstacles and setbacks are there, hard times and sad times. But there are also ways to navigate them, if we choose. On the way, there may be ways that can make our journey a little easier, if we look for them.

And there will always be a way through.

No matter where you are in your life, no matter what is holding you back, or what you think is too hard (and trust me, I KNOW), there is a way through.

It won’t be without challange. But if we look for the valleys, if we allow ourselves to rest when we need to, if we believe it’s worth flying…er…striving….for, we can find a way.

Sometimes, the way through itself is what the gift is. Getting to the other side is great reward. Yes, Digory gets the apple that eventually helps his mother heal.

But what he also gains is insight, understanding, the realization that we have the power of our choices, and the power of the choices that are right for us, and those we love. The right thing to do. The kind thing to do.

The loving thing to do.

Just for today, as the world seems even darker, as our times seem even harder to navigate…

Look for the valleys and the green places.

Look for the places that will restore you to your highest, best self.

 

HOW TO OPEN STUDIO Series is complete! (For now….)

WILL THE REAL LUANN UDELL PLEASE STAND UP?

I was going to reorganize some of my blog posts, adding ones that originally ran in Fine Art Views, combining suggestions for newsletters with topics for press releases. What a hot mess! So instead, I’m republishing this one today, from the WayBack machine: May 4, 2009. Because I need a laugh, and maybe you do, too!

So should you believe everything you read here? Getting to the real “me” can be tricky.

Someone wrote me recently, commenting on the phenomenon that many writers don’t actually resemble in real life the personae they’ve created in their writing (or in their online presence.) People who seem so saintly are actually kinda mean and petty. People who seem so forthright and opinionated in online forums are actually too shy to ever say what they really mean in real life.

How do you know anyone is who they say they are??

Coincidentally, another friend recently accused me changing a word or two when I quoted him in an article. I lied, he said.

So…Are all writers liars??

My first reaction was, Ruh-roh. They’re on to me.

I try to be calm and loving and accepting, always looking for the lesson, always looking for the other side of a situation.

But sometimes that all goes out the window when someone cuts me off in traffic, or when somebody gives me attitude. Or when I simply don’t get what I want.

I try to to be cheerful and upbeat, and a good friend.

But sometimes I just want to crawl in a hole and die. Sometimes even my best friends really piss me off. Or worse, are highly annoying.

Much as I pour my heart and soul into these articles, you can’t get around the fact that I write them.

I get to decide what parts I put in and what parts I leave out. I get to frame the problem, and I get to position the answer.

I get to be too hard on myself, and I get to fudge the happy ending.

So who IS the real Luann?

1. Is she the compassionate and wise, thoughtful and kind person some people think she is?

2. Or is she the verbally quick and bright-haired woman who always feels she has to be the smartest and funniest person in the room?

3. Is she the loving mother who will fight fiercely for her children’s right to simply be who they are? The supportive wife who is always there for her husband?

4. Or is she the screaming shrew who actually once yelled at one of them, “If I had a pointy stick, so help me God I’d use it right now!” Or the bickering partner who says, “You know I’m right, so why don’t you save us both some time and just throw in the towel on this argument now?”

5. Is she the writer who publicly shares a struggling, sometimes painful spiritual journey to understand her place in the world, with anyone out there who will listen?

6. Or is she the self-righteous indignant and angry crabby person who still has the self-awareness to laugh when the writer Ann Lamott writes,

“You can safely assume that you’ve created God in your own image when it turns out that God hates all the same people you do.”

7. Is she a person with a core of hot truth who examines what role she plays in the sad places of her life, and willingly embrace the lessons she finds there?

8. Or is she the idiot who falls back into the same patterns that didn’t work before, and has to learn those same lessons over and over and over again?

9. Is she the nicest person you ever met?

10. Or is she so empty inside, she still believes that being nice is more important than being honest/whole/self-reliant/herself.

11. Is she brave and fearless in her approach to love, life and art?

12. Or is she hanging on desperately to what she already knows, because anything else is too terrifying to contemplate?

13. Is she an amazing artist whose work with texture, color, mixed media and narrative has resulted in a formidable body of work?

14. Or is she that woman who spent an hour in Home Depot’s paint section, agonizing over what color to paint her bathroom?

15. Is she someone who understands this is her journey in life, accepting it with a whole heart (only having to be dragged kicking and screaming to the next step occasionally), doing the best she can? That it’s not about what others think of us or what we do, we just need to do the right thing?

16. Or is she fearful that others might think she is putting on a pretty good but false persona, too?

Answer:
a. All the odd-numbered statements.
b. All the even-numbered statements
c. Some of the above.
d. All of the above.
e. None of the above.

If I’m learning anything in this strange journey called life, it’s that we’re all very different, and that has to be honored. And we all have a lot in common. A lot.

We all have our dark side, and our bright side. We all struggle to love and be loved, and by the “right” people, too. We all want to be recognized for the incredible things we do, and we all wish the bad things could go in a closet somewhere, forever.

We all have the “inner work” to do, and most of us will never finish it. In fact, some of us will never even acknowledge there is inner work to do. “Oh, that’s, someone else’s inner work!” they’ll exclaim. (I just corrected a typo here that read “sinner work” & realized, that works, too….)

And they’ll be right, too. (And wrong.)

You see where I’m going with this.

If you met me for the first time, and I were having a good day, you might think I’m delightful and funny. Or you might think I simply talk too much.

If you met me on a bad day, you might think I was thoughtful, a compassionate and ready listener. Or you might think I have a chip on my shoulder the size of a Buick, and I whine too much.

Some people love the fact that three years ago, for the first time in my life, I dyed my hair. A deep, rich, intense auburn color. They think it’s brave and cheeky and fun and artistic. Other people think it’s pathetic that a woman my age is so desperately hanging on to her youth. Who does she think she’s kidding??!

The real me? Your guess is as good as mine. I only know it seems important right now to accept all these things as true. Without judgment or censure. Without pride or smugness.

Because what I do, or what I think, or what I have, or what I choose, are all aspects of myself that could disappear in a heartbeat. What is left then?

And that’s what my journey is about.

Because I think what I’m going to find out is, who I really am–just me–in the end, is something much, much bigger–and much, much simpler–than all of these other things.

And that will be….enough.

Just remember. We’re all in this together, and nobody gets out alive.

p.s. My friend, who has mental illness, objected to my use of the word “crazy” to describe the way he’d “altered” his rented room. So perhaps I should have been more sensitive to his condition and used a less volatile adjective. (Update: Perhaps?? Oh hell no, I was totally at fault on this one. Once I know better, I try to do better.)

On the other hand, the other word he complained about was just way too picky. So I think–you guessed it!–we’re both right.

Update again: In my effort to create a “perfect” and grammatically correct article, I accidentally copy-and-pasted the article TWICE. Corrected. For now.

HOW TO OPEN STUDIO #13: A Book Review of “Open Your Studio”

I’ve come across lots of wisdom in my decades of making and selling my creative work. I still try to look at the advice given by other people, because you never know where a great insight or tip can come from.

Last week, I ordered a highly-tooted book called OPEN YOUR STUDIO: Nine Steps to A Successful Art Event by Melinda Cootsona.  I was curious to explore what other artists thought was a terrific guide to staging our first open studio.

My opinion? 50/50  I give it a C+.

Here are the parts I thought were useful:

  1. Do NOT have a ‘sale’ section or a ‘bargain bin’.  It detracts from the perceived value of our current work, and there are better ways to move older work on. (I agree!)
  2. Be consistent in your pricing. (YES!!) She offers some good pricing strategies, too. (But ONLY for 2D work.)
  3. She offers good suggestions for pricing 2D work with or without frames, a common conundrum in the 2D artworld.
  4. Let there be a little ‘mess’ in your studio. People will find it interesting, like a peek behind the curtain. (I totally agree.)
  5. If you intend to demo during your open studio, have a sales assistant on hand. (Yes!) Otherwise, you can share your process with photos of your production process, or a slide show on a laptop.
  6. It’s good to raise our prices as the demand for our work grows. But have a private reception for your collectors to give them the option to buy your work BEFORE you actually raise your prices. (I love this idea!)
  7. If you are brand-new and need to start a mailing list, she has some good suggestions for that, too, including some I’d never thought of. (Of course, once your reputation and audience is grounded, we can be more selective, if we choose. (This wasn’t mentioned, but either ASK those people if you can sign them up, and/or always give them the option to unsubscribe. It’s really important no one can call you “spam”.)

What was not useful or just plain head-smacking:

  1. Most of the suggestions revolve around 2D artwork. She mentions ceramics and jewelry in passing, but no real insights about pricing, etc. There’s ONE picture of a box maker’s display, but it’s one of the worst I’ve ever seen. Something that looks like a newbie at their very first show. (Yes, I made a similar mistake at my first show, but now that I know better, I DO better, AND I tell OTHERS how to do better.)
  2. She actively negotiates her prices if a visitor askes for a discount. No. No. NO. First, the person who deserves a discount is a loyal customer, not a newbie who just walked in the door. (Doesn’t it annoy you when your favorite magazine/newspaper consistently offers great rates to a NEW subscriber? And not to people (YOU) who have subscribed for years? Rethink this, please!) Also, there are ways to sweeten the deal without compromising the stated value of our work.
  3. There is absolutely nothing about how to engage visitors, how to make them comfortable in our space, how to talk with them, etc.
  4. There’s nothing about the power of a good artist statement. A great artist statement has the power of engaging someone who isn’t even that interested in our work, if it makes them go back and look at our work a second time…
  5. We’re encouraged to post our event on social media, but no suggestions on how to make that engaging for our audience there. Same with press releases, etc.

After I read the book, I went back to read the reviews on Amazon. As expected, this is a great little book if you have never sold your work or held an open studio before. and IF you are a 2D artist.

But the insights about credit cards, promoting our event, the encouragement to actively discount our work, and the total lack of anything useful for selling work that isn’t 2D, was massively disappointing.

It’s definitely worth a read for the good stuff. I found a copy on Bookfinder.com at a great price. So check it out, then let me know what YOU think!

 

 

 

HOW TO OPEN STUDIO #12: How to Get People OUT of Your Booth

Yes, you read that right. Usually we’re trying to get people into our booth or open studio, so we can sell them our work. But sometimes it’s just as important to get them out of there, too.

There are many kinds of visitors who will come to our open studios. the person who has no intention of buying anything, but is distracting you from other customers.

And okay, I’ll admit it–the title is provocative. You don’t necessarily need to, nor should you, boot every non-customer out of your studio! Not every transaction is about money, and not every comment is meant as a slam, not by a long shot. Revisit “the stupid question”, for example.

But no one needs “bad transactions”, either. There are indeed times when someone is being a jerk, a downer, a whiner or simply an energy-vampire. (I wrote this before the TV series, “What We Do In The Shadows”!) If they aren’t driving other customers out of your studio, they are practically driving you out of your studio.

You must contain and deal with that negative energy. Not only your sales, but your peace of mind may depend on it.

To save myself some time this morning, I’ll just point you to a wealth of information on this topic that I’ve written about for years: How to get people OUT of your booth

Short story: Not everyone is your customer.

That’s okay, of course. Most open studios and other events are as much about creating connections as they are about sales. Our open studio events are the most powerful, as we are on our home turf, in our sacred creative space. They get to see who we are, and hopefully learn what our artwork is all about.

And for the same reasons, this is why we can’t let people s*** in our space, either.

But there will be people who may go beyond all boundaries, from slightly-aggressive to downright boring as all get-out. The people who know, deep down, that we are a captive audience.

I get as annoyed as anyone when this happens. And yet, when I take a moment or two (or a thousand), I can get back to my happy place. Maybe they are lonely. Or lost (figuratively.) Or desperate for attention. Or need to one-up me because they are envious. Maybe they are wistful, wishing they could have a studio, a creative outlet, work that they put aside, a decision they regret but can’t fix.

These fears, feelings of superiority (or inadequacy), anger, sadness, can manifest in so many ways, from the Design Diva who will micromanage their custom order to within an inch of (your) life, to realizing your good “friend” isn’t really your friend at all.

Here’s one big tips to help you get through:

Use your words. In almost every situation, from visitors who demand a lot of your time at the expense of other visitors, to well-meaning friends who want to catch up, these three words can be a lifesaver: “After the show…” 

“Yes, after the show I’ll be able to offer classes, so add your email address to my sign-up form so I can let you know.”

“I’d love to grab coffee and catch up with you after the show, when I’m not so busy!”

“Yes, I’m happy to share the info of where to learn more about polymer clay, email me after the show.”

You are setting boundaries while still remaining available emotionally for people you care about (and those you don’t), people you want to be available for (or not), when you can be available.

Why does this work? Reasons here: Why Distraction Works

All of these suggestions and strategies echo words of wisdom my best-ever boss made oh, about 45 years ago:

“If you don’t want someone to get your goat, don’t leave your goat out.”

And yet also understand that we can all be annoying sometimes, and not everyone is trying to be annoying. (Er…I’m beginning to wonder if I’m more annoying than I realize…)

Last, a very dirty trick, but it can work:

If someone is being a total poo, and nothing I’ve tried has moved them on, I will encourage them to check out another artist’s studio. And it’s often an artist I don’t like. (Okay, I’ve done this maybe three times in my entire art career of 20 years. But I have to admit, it was very satisfying.) (I mean, I also send wonderful visitors to another artist who I DO like, too, if I think they’ll enjoy that artist’s work.) For all you difficult artists, be warned! (JUST KIDDING!) (Not.)

I know I’ve linked to a slew of articles here today. But trust me, I can guarantee you have–or will–meet at least one of these people at any art event you host or attend. Knowing how to deal with it is  powerful protective armor.

And the better you manage it, the better your studio experience will be for everyone involved.

If you’d like most of those articles in one place, you can buy my ebook on Amazon. (Maybe I should do a book on open studios?)

I would love it if you asked questions or shared your own tips and suggestions along the way!

If you found this helpful, let me know! And if you know someone else who might find it useful, pass the link to this article to them. The best gift you can give a writer is to help them grow their audience.

 

 

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