THE AGE-OLD (war) STORY: Art vs. Craft
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“Don’t let someone else’s noisy agenda be your guiding star…”
Wise lessons from our kitties and dogs, courtesy of a lovely little article “Are you listening to the Lolas of the world?” from artist Ginger Davis Allman, in her newsletter today from The Blue Bottle Tree.
Ginger not only creates wonderful new manifestations of polymer clay, she constantly shares her experiments for new clay techniques, tools, and comparisons of clay brands. You can quickly see what clay will work for your purposes.
Or you can purchase her tutorials for step-by-step guides to imitate all kinds of glass beads–rustic, lampwork, even ancient ‘Roman Glass’ beads.
I’m a huge fan of her skills, her outlook, and her generosity in sharing her knowledge and expertise. If you like what you see, sign up for her email newsletter here.
So yesterday I wrote an article for Fine Art Views, an online marketing blog for artists. (They also host websites for artists and do a fine job, too!)
Someone commented on how creative I was to think of the title, Sipping From the Fire Hose.
I used the phrase as a metaphor for the power of the internet. So useful for so much, an astonishing resource not even imaginable a decade ago. We use it for shopping, research, information, selling, marketing, self-promotion and connection. I call it the “Galactic Encyclopedia”.
But everything has its dark side. It’s easy to get overwhelmed and overly-involved in things that take your farther and farther away from your own creative efforts. And when you start comparing your efforts to those of others, it can make you feel pretty darn squished.
I can’t take credit for the actual phrase, “sipping from the fire hose”. It’s been around awhile. A quick Google search turned up this definition from the Urban Dictionary:
to be overwhelmed (with information, work, etc.);
to do something intensely;
to be inundated
(Oddly, it also turned up a blog called Sipping from the firehose.)
What made me think of it was, I’d heard that phrase twice in six months. I heard it from two different friends, who are also friends with each other, but who rarely see each other anymore (one of them moved pretty far away.)
Both of them were describing their respective jobs, which they both love.
But there’s simply too much to do. No matter how hard they work, or how much they try to chip away at their respective massive workloads, there’s always more coming down the pipe.
My friend Carol had just been in my studio a few days earlier. That’s when I heard the phrase for the second time.
Because of the coincidences, I couldn’t get it out of my head. All day I kept thinking, “Sipping from the fire hose….sipping from the fire hose….” I could even see Barb making a gesture like she was trying to drink from…well, a fire hose.
I had to write a column in a hurry. (My poor editor, Carrie Turner at Fine Art Views. No matter how many times she gives me a heads-up, I still forget when my column is due. In my defense, she says the late ones are often my best.)
(Okay, I think she’s just being kind.)
I was enmeshed in editing my series of ebooks. I could not think of an original thing to say.
All I could think about was that stupid phrase…sipping from the fire hose…
Then….the good and the bad about water. How everything needs it to live. And yet too much is awful, too.
I thought, “What in my professional life is wonderful and awful?”
I was sitting there, tearing myself away from my project. Which I was doing on the internet. Which was totally, mind-blowingly amazing. Unheard of ten years, even five years ago. My husband had just told me that the technology for on-demand printing was expanding so quickly, that information I’d read that was more than six months old might already be out-of-date.
I was thinking about the power of the internet….
And how lost and confused and discouraged I’d been the day before while researching how to create a book cover….on the internet.
Sipping from the fire hose….
Once I had my metaphor, the words just poured forth. (Another water metaphor!)
For me, the use of metaphors helps me wrap my head around a concept. I don’t know how other artists/writers/creative people do it. But that’s usually the starting place for my writing.
There you have it. That’s where my ideas come from. They come from:
My friends. Complaining about work.
A funny phrase: Six months apart in time, 150 miles apart in space, and connected heart-to-heart in friendship.
And Isaac Asimov’s Foundation series, with the amazing concept of the Galactic Encyclopedia.
And watching Kenny Roberts, the Yodelin’ Cowboy (on WNEM-TV Channel 5 in Michigan about 55 years ago. One day he sang Cool Water. (Although maybe I’ve squished this with the westerns we also used to watch nonstop around the same time.)
A few years ago, I introduced a wonderful line of sculptural earrings at the League of NH Craftsmen’s Annual Fair.
They were BIG. Each set contained multiple examples of my handmade artifacts. Animals (birds, horses, otter, fish, bears), beach drift (pebbles, sea shells) and small “bones”.
Many were asymmetric, too. I loved balancing color and weight, while varying the elements.
People loved them. A few brave souls bought them.
One of my favorite stories was the professional violinist who fell in love with an especially long pair. They would interfere when she played her violin. We spent a good amount of time, trying to brainstorm a solution. Finally she exclaimed, “Oh, what the heck, I’ll wear them when I’m not playing the violin!” And she bought them.
Fellow artist Rosemary Conroy has a pair, too.
But many more languished on my worktable, especially since I couldn’t do the Fair last summer.
I love making them. People love looking at them. They’re expensive, for earrings. What to do???
As always, a customer–and friend–inspired me.
Marcie had me custom-design several pairs of earrings. And here’s the astonishing thing: Marcie doesn’t have pierced ears. Yes, this amazing woman was going to get her ears pierced so she could war these fabulous earrings!
In the end, Marcie decided not to pierce her ears. Did she want to return the earrings, I asked. “Hell, no!” said Marcie (or words to that effect.) She invited me to her home to see what she’d done with them.
She’d set up a small shrine in a special place. Above it was a small wall hanging she purchased from me years ago. Below it, an upright box, filled with small, precious things that held meaning for her.
And hanging in the box were my earrings.
Today I realized that’s what these earrings are for.
Many people tell me they love my jewelry so much, they never take it off. They tell me it’s their favorite piece. They love the stories, too.
But….There are jewelry pieces I make–pieces that really express my inner ancient woman–that you just don’t wear to to the beach, or to work. They are beautiful. They are powerful. But these pieces often don’t make it out of the jewelry box.
So what if the jewelry box…..became a shadow box? What if they’re sold as a unit?
What if the jewelry….is really a sculpture-in-miniature?
What if you could wear it on occasion….and look at it every single day?
What if it made you…and your home….look beautiful?
It’s a good feeling, standing back and taking a new look at these pieces. I feel that this year, they are finally coming into their own. That’s what happens with my artwork. Sometimes the pieces come into the world, and it takes time to realize what their most powerful place in life will be.
For the days you’re feeling your warrior woman self (or just rockin’ the big earring thing), you can wear them out in the world.
And for the days that call for a quieter, more introspective you, well, they can be on display in their own little shadow box.
Enjoy these sculptural earrings!
I’m feverishly working on a new presentation for my work. It involves boxes.
A lot of boxes.
I scoured junk yards and antique stores for months, compiling a collection of likely candidates. At first it was hard because I didn’t know what I was looking for. (Let me introduce you to my collection of cigar boxes….)
I had no idea how I would restore them, either. I mean, I had a vision of them in my head–worn, beaten, discolored and encrusted by age and dirt.. But how to get that look? Leave them “raw”? (A greasy, dirty box looks wonderful, but real grease and dirt are stinky and messy.) Paint them? (I’d lose a lot of the writing and markings that make the boxes interesting.) What kind of paint? Latex? Milk? Chalk?
I finally hired a friend, a furniture-maker, to let me work in a section of his woodworking shop. I get to use his tools and supplies, while he guides me through the basics of surface treatments and finishes.
It’s been a nice relationship. And most of all, I’m getting a lot of work done. Nobody can “find” me here, and I work for hours uninterrupted.
Soon I learn which boxes work, and which ones one won’t. Cigar box walls are too thin for my purposes, though maybe I’ll find another use for them. Some boxes were promising, but proved to take too much work to restore them. Others that looked grungy clean up surprisingly easily. Some have to be washed and scrubbed, then set out to dry. Others just need a little scrubbing with a brass brush and a couple blasts of compressed air. (Note to self: Compressed air would be AWESOME to clean house with!)
As we work on our respective projects, Gary and I have many discussions on design versus technique. Some boxes are extremely simple–not much fine woodworking technique involved. Sometimes just a few well-placed nails hold everything together. But their dimensions and proportions are beautiful, and the wood soaks up the glazes, paints and wax beautifully.
Some of my favorite small boxes are handmade sets, made for homemade storage chests. They are made from cut-down cheese boxes or slats from fruit crates, painted in gay colors that are now muted and worn. Odd specialty nails act as “pulls” on the fronts. They are simple, lovely and intriguing.
Other boxes look intricate and wonderful. But the quality of wood is poor. Or the box has been cut down badly. Or the finishing is bad, or the “faux aging” techniques are faulty (wear marks that are arbitrary, for example.) Or cheap backing materials are used instead of wood. Eventually, I learn which ones aren’t worth my time to refinish or restore.
A lot to think about from an artist’s point of view. Technique or design? Gary weighs in heavily on design, his forte. His techniques are solid, too, but he believes technique is nothing without exquisite design.
As a juried member of the League of NH Craftsmen and other fine craft venues, it’s tempting to go that route. Easy to judge and feel superior. Sometimes my lizard brain goes there.
But then I remember there’s a place in the world for all. I tell Gary about my dad, who took up woodworking after he retired. He claimed he couldn’t make anything unless someone drew a picture of it for him. He needed measurements and drawings to make his craft. Everything he made was well-made, from good wood. It won’t appear on the covers of any art magazines, though.
And yet, when I look around my home and see the pieces he made for me–a table for behind the sofa, lamp tables, a step stool, a coffee table (why do I always ask him to make tables for me??), I know they are as priceless to me as a Van Gogh.
Something made with love has its own inestimable value.
We are creative because that’s part of being human. I believe the greatest harm, the greatest loss, is when we deny the world–and ourselves–the beauty and power of our individual creativity.
I got a comment on a blog post I wrote awhile back. You can read the original article here: TEN MYTHS ABOUT ARTISTS (That Will Prevent You From Becoming a SUCCESSFUL Artist…”
The reader wrote a scathing argument against my assertion, noting the usual suspects (Mozart, et al.) “Artists ARE born! Talent IS innate!”, the writer stated.
I thought long and hard about my decision. I love to hear your thoughts, your insights, your experiences, and I especially love to hear that what I’ve said has resonated with you or helped your on your own artistic journey. And I don’t mind being corrected from time to time (unless I suspect your motives.)
But finally I deleted the comment.
Let me tell you why.
First, I don’t write this blog to argue with people.
This isn’t a forum. This isn’t a venue for debate.
These are my opinions, my thoughts. My blog is a vehicle to get those thoughts out of my head and share them with others.
This blog is part of my creative process.
I totally get that you may violently disagree with me. If that’s the case, go start your own blog. Seriously. I may disagree with what you say, but I will defend to the death your right to say it. Just not here in my living room.
Second, the reader totally missed the point of my article.
Of course talent is innate. Of course Mozart had tons of talent. Of course most of us aren’t Mozart, and no amount of practice will ever make it so. Heck, I can barely carry a tune anymore, let alone play an instrument.
My point was, that many, many people don’t recognize the talent they have.
They believe they’re not “good enough” to use their talent.
They believe that because they’re not good enough, there’s no use putting their work out into the world.
Look, creativity IS innate. Everybody is good at something. Even a sociopath is very, very good at lying.
Creativity is a human trait. It’s just that throughout the ages, the definition of creativity–the lines we draw around it, the forms we deem acceptable–have narrowed, and broadened, and narrowed again.
We don’t just use our hands, or our voices, to grub for food, or to yell when a predator appears on the horizon. And we don’t just use our hands to draw things. We use our hands to make things, build things, grow things, cook things (yummy chocolate things!). We fix things, heal living things, comfort living creatures. We sing, we write stories, and poetry (and blogs!) We work for peace, or freedom, or equality. We work for understanding, and acceptance, and recognition.
Even destruction can create a space for something new to appear. (I am not advocating destruction, I’m just sayin’ that Shiva’s dance does both.)
When we create, we are all that, and more.
I believe the greatest harm, the greatest loss, is when we deny the world–and ourselves–the beauty and power of our creativity.
We get way too judgy about creativity. (I made that word up. See how creative I am?)
We care waaay too much what the world will think of our efforts. We care way too much about what WE think of our efforts.
Quick story: My husband’s mother was a talented pianist as a young woman, with dreams of performing in public. But at some point, she realized she would never be a world-class pianist.
She never played the piano again.
Another quick story: My husband has been “noodling” on a guitar for as long as I’ve known him, thirty-five years. The last few years, he’s gotten more dedicated about it. He’s reaching out to play with others. He’s found new online methods of learning. He’s taking lessons. He’s considered performing in public venues, on a very modest scale. He reads books about music, about musicians, about the effect of music on the brain. He watches documentaries about music. Lord love him, he tries to drag me to every live music performance in the area.
Will he ever be famous for his guitar playing? Probably not.
Will he ever make money doing it? Nah.
Is he good? I think so, especially when he actually plays instead of practices. (I’m one of those people who winces at every sour note.)
So why does he do it?
Because he likes it. Actually…he loves.
And it makes him happy.
When I look at him, deep in his practice, struggling to master a new tune or a new technique, I know he is also deep within himself. Truly himself. In the best way possible.
And that, my argumentative friend, is all that truly matters.