OLD ADVICE STILL GOLD: How to Navigate the Dark Part of Your Creative Cycle

OLD ADVICE STILL GOLD: How to Navigate the Dark Part of Your Creative Cycle

Recently, someone told me an old post of mine had brought them solace, joy, and encouragement. I can’t even figure out which one it is, from their description! I’ll check in with them soon. But I’m glad it helped.

And even more recently, my partner said he had the same experience, from my words. (Woot!)

He’s in a slump. He’s questioning his value in his beloved industry.

He’s been courageous his whole life about moving forward, starting over, believing he still has something to offer the world. (He does!) He loves to help people do better, and he’s an amazing teacher, too. He’s struggling with doing great work in dead-end jobs, where his unique skills are not appreciated. And now his latest dream project may be biting the dust soon, too.

It doesn’t help that the cold, rainy, dismal weather is back, too. (He’s half-Italian, and LOVES hot sunny days.)

Usually I try to keep my mouth shut. I do my best not to lecture or say “You’re wrong about that”. This time I just acknowledged that this is not his favorite weather, he is a constant force for good in the world, and most importantly, the creative cycle has a definite downside. Hello….CYCLE! (It goes around and around.)

And I shared a quote from an oldie-but-still-goodie source: Julia Cameron’s book The Artist’s Way.

I can’t find my copy to get the exact words. (And so I just bought another copy from a thrift shop. Which means it will show up later today. Which is why I have so much stuff……)

The gist is, after we finish a huge project/dreamwork/goal, there’s exhilaration and joy.

There is also a natural let-down.

We may feel depleted. We may miss the process of experimentation, trying new techniques, collaboration, etc. We may be disappointed that our dream project didn’t actually “take off”. (Yet.) We may simply be exhausted from working late at night, every single day, for weeks, or months, or years. Or maybe we’ve hit a rough spot in life, one that forces us to step back from the very work that excites us.

What we must understand is, this is a normal part of the creative process…and life.

Cameron uses a river as a metaphor. Yes, we’ve been enthusiastically paddling our canoe down the river, but now we’re too drained to paddle. What should we do???

It’s okay, she says, to simply put down the paddle down. To lie back, and rest. To simply drift with the current…

Until we find our mojo again.

I love this because it helps me understand that even in our low points, our “lack of inspiration”, we are still making our way down the river.

We can be kind to ourselves. Let ourselves heal and recover. Let go of our expectations of fame/fortune/success, and simply enjoy the beautiful views along our life journey. Keep hope in our hearts that someday, someone somewhere, may be inspired by our creativity and creations…and let them know they can have hope for their creative work, too.

My partner is not into the woo-woo. TBH, I’m not, either. But I do find it helps when things get hard. (So, an agnostic approach to life.)

And this time, my partner saw that, too. He thanked me for listening, and helping him frame this seemingly hopeless, helpless stage as normal, and human.

Keep up the incredible, innovative, powerful work you do in the world, Jon!

I’ll stop right here, but I’m also gonna share some pics of my dream project for the last 15 years that is finally, finally coming to fruition. Enjoy!

Bear Migration

 

 

WISE WORDS THAT ACTUALLY HELPED ME TODAY

My customer loved my big green bear necklace, but wants a smaller version. So, little green bear!

 

…And maybe they’ll help you, too!

I’ve basically recovered from six weeks of ongoing agony this summer/fall. (Two back-to-back kidney stones and diverticulitis, ugh!)

The last stone passed a day before I was scheduled for surgery. I recovered enough to participate in this year’s Sonoma County Art Trails open studio event. Yay!

And yet I’ve felt blah ever since. Just not back up to snuff yet. (Why is something “up to snuff” a good thing? Inquiring minds want to know…) (Actually, not really.) I feel useless, irrelevant, unproductive, and purposeless.  Tired, down, unseen, unheard, unenthusiastic. I could go on, but you get the general idea.

I have a custom order in the works for a long-time collector back East, but nothing seems to be sticking in my brain for how to proceed.

I finally had some ideas for beads that might work for that necklace. I made several versions, put them in my convection oven in my studio, and fired it up. About 30 minutes later, I added more, and reset the timer. (It doesn’t hurt polymer clay to have it “cook” longer.) I couldn’t wait to see how they turned out!

I took them out of the oven the next day. And they were literally a hot mess. They looked like scorched blobs o’nothin’ much.

I freaked out. I thought the new Kato clay product, Kato “Blackout” polymer clay* I used as a bead base, had somehow leaked through the lovely colors I’d layered on top. Had I ruined every single batch of colors I’d made with it??

I went home with a heavy heart.

This morning, I found a great quote in my news feed:

“Don’t let yesterday take up too much of today.” (Will Rogers)

Hmmmm…..that hit home.

I was ruminating about my miserable yesterday, and it was not helping. So I decided to get to the studio even earlier than usual, and get to work.

But the doldrums set in again. I puttered around, but couldn’t stop the ruminating. What’s the use? I don’t matter. Nothing I do matters. What do I have to offer the world? Nada….yada yada yada.

Then I got a notice a package I’d been waiting for had been delivered, so I took it as an excuse to leave, and high-tailed it back home.

The new (old) beads I’d ordered were lovely, and for some reason, they lifted my heart a little. So I decided to go back to the studio, if only to drop them off. And I’m so glad I did!

First, I made more beads without the “Blackout” clay, to see if that’s really what had made my previous batch look scorched. And when I put them in the oven, that’s when I realized….

On my second batch of beads the day before, I hadn’t turned up the baking time…

I’d turned up the temperature! (My oven is at least 20-plus years old, and some of the markings are wearing off.) They really were scorched! I literally burned those beads.

I reset the temperature, set the timer, and decided to call it a day, with a happier heart.

And on my way back home, I saw a minor accident along the road and was able to help everybody get back to their feet. (Literally!)

If I hadn’t come back to my studio, they would have been in a bad place.

So bead emergency solved.

Helping hands available to those who needed it.

And an insight that was perfect for me, today. (Yes, I’m feeling a little better!)

*Kato “Blackout” clay is a super-saturated black polymer clay to mix with leftover scraps. It’s so intense in color, I used half a bar to turn 5 pounds of scrap clay into well-conditioned, solid black clay! Read more about it here.

Kato Blackout clay

GO AWAY ALREADY!!!

New Hampshire pile o'snow, will you please go NOW??  (Sung to the tune of "Marvin K. Mooney, Will You Please Go Now!")
New Hampshire pile o’snow, will you please go NOW?? (Sung to the tune of “Marvin K. Mooney, Will You Please Go Now!”)

Ode to the last bit of snow in a New Hampshire spring….

Dear little pile of nearly-melted snow in our front lawn,
Yesterday it was 78 degrees. Last night it rained. Today it is still raining.
And yet you are still here.
All the other little piles of snow have gone. They have moved on.
They have returned to the Great Water Spirit in the sky.
Some have already returned to us as gentle rain.
Some have merged with the Big Ocean Waters.
Some may come again as snow. (But hopefully, not until November. Or even December. And certainly not in California.)
And yet you are still here.
What’s keeping you??
Is it the fear of melty death?
Fear not, for all snow eventually meets its end. And you will, too.
Are you striving for some sort of new record?
Alas, that is beyond your grasp already. You surely cannot last past Easter, and yae, I have seen snow in the late spring many, many, many times in New Hampshire.
Are you just trying to piss me off?
Give it up already. You’ve succeeded.
So melt away, little pile of snow.
No one shall mourn for thee, especially if you hang around much longer.
Go in peace,
Or I shall return tonight with a kettle of boiling water,
And send you on your way.
With loathing and dire threats love and fond memories,
Luann.

THE END OF THE YEAR: Still Standing

It’s been awhile since I’ve written here. Thank you to all of you who wrote, because of the silence, to ask if anything was wrong.

There were some scary things going on this holiday season. It’s been impossible to share them, for many reasons. The main reason is, to do so would violate the privacy of someone I love more than my life. It’s not really my story; I was a bystander who got caught in the backlash of the tornado.

After the worst of the storm had passed, and things looked more like normal (and I am very, very grateful for normal), I wondered why I wasn’t bouncing back as quickly as I usually do. I felt violated, stripped of my reason-to-be, and off-balance about the role art plays in my life.

Two things have put me back on the path.

One is a children’s book I’ve been reading this week. It’s the finale to Susan Cooper’s marvelous series THE DARK IS RISING, about the battle between good and evil in the world. called “Silver on the Tree”. I found “Silver on the Tree” at a thrift shop last week, snatched it up and read it.

Near the end, the heroes venture through a beautiful kingdom, a land of makers and craftspeople, singers and story-tellers, in search of a magic sword to help them in their quest. The king of that land, the maker of the Crystal Sword, sits alone in his castle, immobilized these many long years and silent.

And right there, on page 161, is this amazing passage:

(The enemies of the Light,) they showed the maker of the sword his own uncertainty and fear. Fear of having done the wrong thing–fear that having done this one great thing, he would never again be able to accomplish anything of great worth. Fear of age, of insufficiency, of unmet promise. All such endless Fears, that are the doom of people given the gift of making, and lie always somewhere in their minds. And gradually he was put into despair…..Despair holds him prisoner, despair, the most terrible creation of all.”

I saw myself.

To be open to the world, to be open to your creativity, also means we are exceptionally vulnerable to the dark forces of the world.

When we are open to the chaos of possibility, we are also vulnerable to the chaos of evil.

Even as we delight in the small fierce flame of creation, in ourselves and in others, we are in danger of someone carelessly, deliberately, cruelly, snuffing it out for the sheer enjoyment of tormenting us.

It’s frightening to realize the world has such people in it. They’re surprisingly hard to see, too. In fact, they may be the most charming person you’ve ever met.

Your only clue may be how awful you feel about yourself after dealing with them. How inadequate you feel, how selfish you see yourself, how useless your talents are to the world.

And because you yourself have let in that despair, only you can see it, and only you can tell it to leave.

There’s no logic to it, except this:
You can accept there is evil in the world, and give in to it.
Or you can say there is also good in the world–and embrace it.

I have to choose the latter.

I have to believe in what I do, and in who I am.

The other thing that’s a miracle today, is a little piece of paper I found while cleaning piles and piles of my crap for a party we’re having tonight.

It’s typical of my little notes to myself: Written on a torn sheet of paper, some little thought–the title of a book, an idea, an insight–in an futile attempt to shed some of the mind-slurry that is my brain into something that might help me organize. Or at least remember!

In the middle of a list of books is a quote:

Writing is a meditation for you.”

I have no idea where it came from, or who said it. It sounds like something my friend Quinn MacDonald would say. Heck, maybe I said it! But surely I would have remembered….??

What matters is this: It’s true.

I need to write to process what happens to me. My lack of writing has delayed my healing.

I’ve been writing, privately, the last few days, after this long drought. And slowly, my heart is making sense of the last two months’ events. And some peace is restored in my soul.

So I find myself at the end of the year. It’s been a hard, hard winter already, and many more dark, cold nights ahead.

But now I know this for sure:

When winter comes, can spring be far behind?

And I am so very grateful for these two tiny, wonderful miracles in my life today–a torn piece of paper, and a well-worn old book.

And I’m grateful for my marriage, my children, my family, and friends, and dogs who sleep on your feet at night, and cats who try to sleep on your head.

TEN MYTHS ABOUT ARTISTS #13: One Big Break is All You Need

Myth: If only I could get into X Gallery/get Famous Person Y to see my work/get a website, I would be successful!

Reality: No one person, event or venue will make or break your vision.

When I first started showing and selling my art, I read these very wise words somewhere:

Every day you will find an opportunity to move your art/biz forward. Every day you will overlook an opportunity to move your art/biz forward.

I quote them now because a reader posted this comment on my blog recently, and with her permission, I reprint it here:

Hello, again! I get what you’re saying, Luann, I really do. But right now I’m really in a down space.

Filled with excitement, I opened up a space in Etsy back in September thinking that *there* I would find people who would see value in handspun hand-dyed yarn. They do, apparently–there are lots of other spinners on Etsy–but evidently they don’t see any value in mine.

Lots of looks, a few hearts, no sales.

One part of me is bugging me to get busy and make more yarn, but the other part of me is saying, “Why make MORE beautiful yarn that no one will want to buy? What’s the point of doing that, when no one wants what I’ve already made?”

I’m sorry for dumping on you my own pity-party, but I need someone who is an artist and “gets it” to vent to. ..

Maybe the Lord is trying to tell me to give up and become a boring housewife who grades papers and washes dishes and remembers when she used to make beautiful stuff. I don’t know.

Dear Reader, I give you permission to wallow for awhile. Things do get hard, and we all get discouraged. (See Myth #14 about this.) (Not yet, I haven’t written it yet!!)

But I can assure you wholeheartedly that the Lord is not telling you to stay small and regret your lost dreams. 🙂

Sometimes we take that leap and many things fall into place. Sometimes we take that leap–and things stay hard.

In fact, that is the major purpose of my blog: To chronicle my journey pursuing my art, with honestly and self-examination. And hopefully, a huge helping of inspiration.

Because, as my husband pointed out to me a short while ago, we always hear about the instant overnight successes. (What I call the Cinderella stories.) And we also hear about the not-so-overnight success stories, where the hero struggles and perseveres, and finally gets a lucky break.

The point is, we already know how those stories end. We know the goal was achieved, because the tales are always told afterwards–not while the ball is actually in play.

My blog is all about the ball being in play. And sharing that process with you.

So here are some possible scenarios regarding this handspun yarn biz, but don’t take the “you” thing personally. These are just some things to think about:

1. When we stand at the beginning of our stories, we cannot see the end.

Sometimes, we can’t even see what our ultimate goal will be. Longtime readers may remember my sad little story about wishing my handknit toy sheep idea taking off.

And when they finally did, how I discovered how much I hated knitting toy sheep.

If your handspun biz where to be an instant hit, you could be locked into a business that takes too much time away from your other pursuits right now. Or you might find spinning is fun for a few hours a day, but not so much fun doing it all day. Maybe you’ll realize you like writing about the process, or teaching the process, more than making yarn to sell. (Although that piece of it will give you the insights you need to do the other stuff–writing, teaching, demonstrating, etc.) Maybe you’ll end up developing a therapy program with your skills. Who knows what the possibilities are?

So maybe right now you think your dream is to sell handspun yarn. But maybe even bigger things are in store for you.

2. We cannot tell what strategy will work, and which ones will peter out.

Etsy looks like a “sure thing” from the outside, but having an Etsy shop does not guarantee success.

We dream of getting into “that great gallery”, sure we will be successful if they would only represent our work. We dream of finding “the perfect show” where we will find all the buying customers we need. We know if only we had a great website, we would be flooded with orders.

In reality, there is no “perfect venue” or “perfect strategy”. There is simply another opportunity to try.

Maybe e-commerce will work for you. Or maybe your yarns would sell better “in person”–at small local shows, or certain events. (We have a big “Wool Tour” here in New Hampshire on Columbus Day weekend. People come from hundreds of miles to tour small farms, see llamas and sheep and angora goats and bunnies, and buy fleece, roving and finished yarns.) Maybe people need to touch your yarn to fully appreciate it first, and then you turn those customers into online customers with reorders.

Maybe a “new product release” about your yarns to a knitting or spinning magazine would bring interested buyers to your Etsy store.

3. We may be trying to sell to the wrong people.

Etsy is the biggest and best-known venue for handcraft. But it’s also a huge venue for vintage goods and craft supplies. And it’s a big shopping venue for other artists. So you may be inadvertently trying to sell to people who can make it themselves.

At a friend’s suggestion, I used Etsy as a way to sell to my current customers. I didn’t actually think I could join an already established, close-knit online community (no pun intended) and create a strong presence there.

Even so, I didn’t have a single sale on Etsy. I’m exploring other ways to sell online, and will use Etsy to offload my old supplies.

4. It just may take more time than you think.

Another reader posted a reply to the original comment, and it’s a good one. (In fact, I just realized I’ve repeated a lot of what Kerin said!! oops…)

And see item #1 above, where things taking time can be a good thing.

5. And sometimes it’s just hard.

It’s true–it’s just hard sometimes. There are days when we just feel like the universe is saying “no”.

But what does your heart say?

Because if you give up, there is only one thing that can happen: Nothing!

If you persevere, anything can happen. Including failure, but failure is not necessarily a bad thing. (Go back to the knitted sheep thing.)

#5: What is “success”, anyway? What does it mean to Y*O*U?

Right now you haven’t had any sales. Is that your only measure of success?

Have you learned how to spin and dye beautiful yarn? You’ve successfully developed a product.

Have you learned how to photograph it? Have you successfully uploaded images to a website? You’ve successfully done something millions of people have no idea how to do. (Since I lost my photographer, I’ve had to work on developing a whole nother skill set, and that learning curve is steep!)

Have you learned how to talk about it, write about it? You’ve learned how to pitch your product.

And have you learned how to create a unique product? Which leads us to….

#6. Are you telling your real story?

Sometimes, especially when we first start out making stuff and getting it out into the world, we focus on the surface of the process. When you hear artists say, “I just love color!” or “I just love knitting!”, we are listening to someone who has either a) not bothered to dig deeper; b) doesn’t know how to dig deeper; or c) or is afraid to dig deeper.

What is it about hand-spinning and dyeing that excites you? What does it mean to you? Don’t say, “Oh, it’s fun” or “Oh, it’s relaxing.”

Tell us why.

Here’s a perfect little example that Bruce Baker tells in his seminars.

A potter makes tiny little pots with lids, very charming. But so what?

She explains that her life is so hectic, so harried, that when she takes time to make these tiny wonders, she envisions she is creating a little moment of serenity, of quiet. “And then she draws up the tops, and makes a little lid, and there is a little moment of time preserved….”

Doesn’t that make you want to own one of her little pots? And when you are harried and frazzled, you can lift the tiny lid….and there is your own little moment of quiet and peace.

She told us the “why”. And when you purchase her product, you can have a little of the “why”, too.

7. If it brings you joy, you should not–cannot–stop doing it.

It’s hard when it feels like the world does not want our beautiful work. But remember when I said, “I have to do it anyway, or I’ll die?” That’s what got me through.

Yeah, I know I wouldn’t drop dead if I never made another little horse. But I know something inside me would wither away. And the world, whether it knew about the loss or not, would simply be a sadder place for it.

I want to believe in my heart that somehow, in ways I may not see or could even possibly imagine, that the world is a better place for me making my work. For me being in the world. I have to believe that. Because to believe otherwise is to give in to self-doubt, and eventually, despair.

And whatever we believe in, whatever our religion or creed or ethics, if we are creative people, then we have to believe that creativity makes the world a better place. That anything we make–a lovely skein of yarn, a useful pot, an inspiration movie, a beautiful song, a warm and loving home for those we care about–the world is a better place for that.

Or what are we here for?

So keep making your yarn, because it makes you happy. Don’t give up, but be open to where it leads you (because it may not take you where you think you’re going!) Take the opportunities you find. Let go of the ones you miss, and move on. Think about the deep “why?”, and don’t be afraid to share it.

And know that whatever happens, it’s all good.

TEN MYTHS ABOUT ARTISTS #8: You’re only a REAL artist if you’re ONLY an artist

Myth: Real artists devote their entire life to art; real artists never compromise! (And its corollary: Artists sleep til noon because they don’t have real jobs to go to.)

Reality: Any time you can make art is a good time to make art!

I’m beginning to think that history books and movies have been the source of most our myths about artists.

Again, remember that what makes for a good “sound bite” doesn’t always reflect real life.

We’ve all seen the movies about artists who devote themselves passionately–and exclusively–to their art. Marriages, kids, friendships fall to the wayside in their relentless pursuit of their vision. Charlton Heston as Michaelangelo, lying on his back painting the Sistine Chapel as he exchanges barbs and retorts with the pope. Or Ed Harris as Jackson Pollack, fierce in his artistic throes, with the entourage that devoted themselves to promoting his art (who ended up tossed by the wayside as they burnt themselves out doing so.)

And what do we know about artists throughout history? Usually a sentence or two, or at most a paragraph in the history books. An entire chapter, or maybe even a book, for the stellar ones.

So we’re only a “real artist” if we devote every waking minute to our art, and plow through our personal relationships with the sensitivity of a back hoe.

There are other ways to make art, of course. And the artists involved are just as “real” as you and me.

Yes, some artists are fortunate enough to pursue their art full-time. But their art becomes their profession–they work just as hard at it as anyone else does in THEIR profession. If they sleep til noon, it’s because they just spent 36 hours straight completing new work for an upcoming exhibition, or they put the finishing touches on a new CD, or they finally figured out how to use QuickBooks to bill their galleries, or they just got back from a grueling four-day wholesale show on the other coast.

Real artists run the gamut of everything you can say about artists. Some are so successful selling their work, they can support themselves and a family doing so. Some work part-time or even full-time jobs to pay the bills, painting in their spare time. Or they marry someone whose passionate profession pays more money than making art does.

Some get famous, some don’t. Some blow through people like kleenix, others have solid relationships and happy families. Some create public murals that cover tall buildings that thousands see every day. Others make wonderfully tiny artifacts you can cup in your hand and known to literally a handful of people.

Again….there’s room for us all.

Of course, the converse is also true. If you work full-time or engage in other activities, and don’t make time to make art, then you may be an artist at heart. But there will be nothing in the world that reflects that intention.

If you watch TV, do housework, put everyone else’s priorities ahead of yours, then your art will indeed only take up only the tiniest space you’ve allotted for it–nada.

Yes, life happens, especially if you are the caregiver in your family, the social planner, the “fall-back” person. Our sales fall off and we have to scramble to pay the bills. We get sick or injured, or a loved one does. We enter periods of self-doubt and despair. Our desire to create can seem fragile, tenuous during hard times.

But ultimately, we have to come back to this–the only person who can make your art is YOU.

Whether it’s a song, a prayer, a painting, a dress, a garden, a play, a dance, a necklace, if it’s in you, find a way to get it out into the world as soon as you can.

So make time for your creativity a priority. Carve out a little space for it in your life. Plan for it. Honor it. Respect it.

Because if, like I did once, you walk away from it entirely, you will always feel that empty space in your heart.

I will never go “there” again. And my wish for you is that you never go “there”, either, at least not for very long.

Tip: This is where a well-written, passionate artist statement comes in handy. The kind where you really talk about the WHY of what you do. When you read yours, YOU should be inspired to get back in the saddle and ride off into the sunset with your art.

BLAME IT ON DRUGS

It’s been a hard, hard month. And this is a hard post to write. I’m not sure where it fits with my professional posts on my life as an artist.

But how I deal with depression has been a topic in the past, and perhaps it’s not so out of place this time, either.

Simply put, the long winter, my laundry list of surgeries and injuries, and my inability to work in my studio caught up with me awhile ago.

In hindsight, it was not a surprise. A good friend, an artist as well as a therapist, pointed out afterward that all my usual coping mechanisms were unavailable to me this year. I slipped from my usual mild depression into a deep depressive state.

It was bad. But what was worse was when I went on medication for it. The side effects from Wellbutrin nearly killed me (figuratively.) I fell lower than I’ve been in decades.

I experienced massive anxiety and agitation. I couldn’t sleep. I couldn’t concentrate. I felt like I wanted to jump out of my skin. And I cried a lot.

Worst of all, even though I was now able to return to my artwork, I had absolutely no desire to.

I was devastated.

I didn’t realize it was the medication til I followed up with my doctor a month later. By then I was so low, I thought I would never come back up.  I went off the meds immediately, and soon felt merely depressed instead of suicidal.

But tiny little miracles have shown me there is a way back.

I look back now and see the chance encounters, the simple words of near strangers, that gave me a light to see the path at my feet.

I realize once again that though many friends cannot, should not or will not be present for someone in this state, there are some who can–and will. (To be fair, I spared many people the fact I was even going through this.)

I can now accept that chronic pain may be my constant companion, but that regular exercise can help–a little. And as my mood improves, I can bear it.

I realize how blessed I am to have found the martial arts teacher I have. When I am ready to start that journey again, I will have safe passage there.

I am blessed many times over in my loving husband.

When I called a friend who beat cancer last year and found out he’d had the same reaction after he’d gotten through it, I realized my feelings may be normal. When you get through something awful, you expect to feel better and different when you reach the other side. But sometimes you feel let down because you simply don’t. Looking back, I think it’s because it actually takes much, much longer to recover emotionally than we think.

I have a great referral to some docs who will help me sort out what my best choices are. I hate depression medication and their side effects, but I need help figuring out whether that is my best option or not, from someone with more oversight and “industry perspective” than me.  (One said dryly, “Please do not take more Wellbutrin til we can talk, yes?”)

And somehow, knowing all this has actually helped me feel better.

I even worked a little on my new ideas for polymer the last few days, though the results were embarrassingly dismal and uninteresting. But I can remember failing before I found my way to good designs, and the process doesn’t seem as awful as I thought it would be.

There you have it. That’s where I’ve been for the last month. Down, down, down in the dumps.

But suddenly, it doesn’t look so far to the top of the hole anymore.

p.s. Now for the funny part.

The Wellbutrin also raised my blood pressure 30 points, and I lost my appetite.

And even in the depths of my depression, when I weighed myself and found I’d lost five pounds without even thinking about it, I thought, “Well, maybe I could stay on it a little bit longer….”

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