After reading all my articles about artist statements, are you going to tell me you still don’t like to talk about your art?
Then tell me about YOU.
Yes, I’m going to rag on you about your artist statement again. (I’m never too busy for that!)
I’m getting ready for the League of NH Craftsmen’s Fair, and I should be doing a bajillion other things right now. But I got up early. I’ve got half a cuppa coffee in me.
And as always, I found a little artist life lesson in today’s email inbox.
It’s an e-newsletter from Michael’s. They asked six of their employees how they use picture frame to express themselves in their own homes.
I think they’ve taken a online peek at Oprah Magazine, but I took a look.
And here’s your takeaway:
Everyone said what they needed to say in two sentences.
Yes, in two sentences, you learn what these folks’ passions are. What’s important to them. What they chose to display in their homes, and why.
Melissa, like me, loves to shop for vintage eclectic stuff. Jenny has an artist’s eye for the tiny, beautiful details around her. Susan uses her photographer’s eye to capture unforgettable moments in her family’s life.
Yes, it’s a Michael’s ad.
But it’s also an intimate peek into the minds–and hearts–of six creative people.
And they did it in 25 words or less.
Now, it’s not easy to crystallize who you are into that short a sentence. Yes, I struggle with that, too.
But it’s worth it.
People have made art for over 50,000 years. It’s part of who we are. I explore what it means to be human and an artist, in the world today, through ancient stories retold with my modern artifacts.
(I know, it could be better. It’s always a work in progress!) Editor!!
HEY! I know…..
Tell me what you think MY 25-words-or-less could be!
Last year, a fellow artist and I put on Keene’s very first open studio tour, the Keene Art Tour.
Few things in life are harder than getting a couple dozen artists together (figuratively), collecting checks (Paypal button next year!), gathering images and artist statements for the brochure (“Just take it from my website!”) and everything else entailed in creating a city-wide event. Fortunately, it was hugely successful, for visitors and artists alike.
The only thing harder?
Doing it again.
Artists forget how good the crowds were, how much they sold and how much fun they had. That’s normal. Artists, being human beings, are sort of hard-wired to only remember the hard work, the studio cleaning, and how much we hassled them for said images, statements and money.
I’m learning that as a show organizer, “getting an early start” this year really means, “Let’s spend longer trying to get the same components together as last year.” That’s a good lesson to learn.
Some of the cold feet-itis is understandable, too. The last few years have been hard for creative folks. Some have hunkered down, some have moved on, some have diversified, and others are in that awful stage known as “transition”–moving on from what we’ve done while not quite knowing what’s next. Change is hard, and rarely fun.
“I don’t have anything to sell!” says one artist. Another says, “The kind of work I do, I don’t have ‘things’ to sell. So why would I want to have an open studio??” “I don’t have any new work!” says another. “I might be busy that weekend. When do I have to let you know?” (The answer to this question, by the way, is “Two months ago.”)
So here’s my response to all these questions:
An Open Studio isn’t just about selling your work. It’s about telling your story.
It’s the strongest way to form a powerful connection not only with new customers, but also with current customers, your community, and with future artists. And it’s a way to revitalize your own connection with your art.
There’s one artist who does murals for public places. No ‘things’ to sell in their studio, so they don’t want to participate.
What a lost opportunity! Now, I have no desire to buy a mural. But I’ve always wondered what’s entailed. How did they get started doing this? How do they find out about proposals for public art, especially internationally? What is the design process like? Do they hire other people to help? How long does it take to paint a mural? What kind of paint do they use? How long does a mural last? Where is their work displayed? Do you get to travel a lot? What are the fun parts? What are the downsides? What the heck does their life LOOK like???
There’s a couple who are working on a graphic novel. No ‘art’ to show in their studio. People would be bored.
Really? I can think of a few dozen young artists who would give anything to know that that process looks like. How do you get started? Are you self-published or are you working with a publisher? What does that look like? Do you do the writing and the drawing, or do you collaborate? Is it possible to make a living doing this? Do you teach classes?
There’s an artist in transition who needs to sell their old work before they can can make new work. And they’re not very far along in the new work.
Artists go through transitions? Just like other people?? Is it hard? What made you stop making your old work? What would you like to do next? What do you think will stay the same, and what will change? What inspires you and sustains you through this difficult time?
There’s someone who has new galleries, and may not have any work available for sale.
Actually, this is one of the best problems to have. Do you have earlier work that you’ve kept? Do you have works in progress? And the finished pieces you’re ready to ship–can we just LOOK at them? If I want one, can I commission you to make one? There’s a waiting list?? Oh my gosh, I better get my order in NOW!
Meanwhile, in your horde of visitors (and everyone had hordes of visitors), there are people who wish they could do what you do. They want to meet the people who ran away to join the circus. You are actually in your studio, making incredible stuff every day–how fabulous! Be their art hero.
There are people in transition who need to know there’s a ‘there’ after ‘here right now.’ That perseverance and vision and hard work will get us through. Be their art hero.
There are people who hope someday to be in your shoes. There are artists-in-waiting who need to know that it’s possible to have that life, to make their own work, to carve out a place in the world for themselves. You are living proof that it can happen. Be their life hero.
There are all kinds of creative folks in a community, artists of all sorts who make this town a better, richer, more beautiful place to live. We do more than just fill art galleries or people’s homes with our work. We teach, inspire, enrich, model our values to our community. Be that community hero.
Open your work space, that incredible place where the magic happens, where your vision for your art becomes a reality. Let people see what your life looks like, for two precious days in November. Be that art hero.
Give yourself the gift of seeing yourself through other people’s eyes–the people who see you as creative, gifted, exciting, interesting, fortunate, blessed. Because we are. It’s easy to forget that in the slog of making our way in the world. Let our community help you remember.
Be your own hero.
Today I saw an update in my inbox from Cynthia Tinapple’s delightful blog, It was titled Polymer Artifacts so of course I had to take a peek.
Even more delightful, it turns out it’s about MY polymer artifacts!!
It’s an honor to be featured in PCD, as Cynthia scopes out the best work in polymer clay around the world. Thank you, Cynthia!
There’s a nice balance between focusing your work and being inspired by others’ work. The last few years, I’ve been hunkered down, focusing on keeping my vision clear, and trying not to envy the incredible work being made by other artists. Lately, I realized I’ve hunkered down too much. Cynthia’s blog helps me see a bigger picture of the world. It’s time to explore and see what else is out there.
I also see it’s time to update my images on my website. My beloved photographer, Jeff Baird, died of lung cancer three years ago. I owe a big chunk of my success to his beautiful images of my work. It’s been hard to admit that he’s gone, and I’ve been reluctant to switch out the pics. But Jeff would be the first one to tell me it’s time to do that. Wherever you are, Jeff, know that you are deeply missed.
I have a good series going on at Fine Art Views, an online marketing newsletter. The series is called “Questions You Don’t Have to Answer” (when selling your artwork.) Check it out!
I’ll try to post a series of links to all the articles later today. Six months later…..
1. How Long Did It Take You To Make That?
2. Do You Have a Website?
3. Why Is Your Work So Expensive?
4. Where Is This Place?
5. How Did You Do That?
6. A Question From An Art Teacher (You Don’t Have to Answer)
7. Where Do You Get Your Supplies?
8. Are You As Good As….?
9. Can You Do Better On The Price?
10. How Long Have You Been Doing This?
11. Why Does This One Cost More Than That One?
12. Do You Teach Classes?
Trust me, your artistic self is just as powerful as a postage stamp. Maybe more.
Fresh off my first Open Studio tour of the year, and boy is my studio CLEAN! I love open studio events for many reasons, but more on that later this week. I have something else on my mind that has to come out today.
As you may know, my soapbox speech is about finding out what makes you, and your work, unique.
We hear all about how no two snowflakes are identical, and how our fingerprints and DNA are unique to us.
You’d think, with all this unique-ness pouring out of us, we could a unique way to talk about our work.
I’ve been in a lot of group shows this year, seen a lot of lovely work and talked to a lot of passionate artists. What strikes me is how everyone says the same things about their art.
We talk about our compositions. We talk about why we love pastel, or oil, or clay. We talk about light and shapes.
If I hear “I just love color!” one more time….. Well, it won’t be pretty.
So let me share an ‘aha!’ moment I had years ago.
I was doing a mail art project, and wanted old postage that would reflect the theme of my piece. I found an older couple who ran a stamp collecting business out of their home.
As I scrabbled through the trays and books of postage, we talked about stamp and the stamp collecting biz. They shared stories about stamp collectors. I asked her what kinds of stamps people collected.
The woman said, “You know, in fifty years of selling stamps and doing shows and talking to collectors, I’ve never seen two people collect exactly the same thing.”
Now think about that a minute.
There is no creativity per se in collecting stamps. Collectors don’t make the stamps, nor are they handmade by other people. Stamps are produced en masse, and have been in production for years.
But how they collect is so strongly individual and personal, each collection–each act of collecting–is as unique as….well, the human being who put it together.
Some collect by country, or region or language. Some collect by subject matter. Politics, places, people, animals, plants, themes, designs, plate designer…. There is simply no end to the possible combinations of appeal.
If we could get away from the mundane–what our materials are, the fact that we love certain colors or lines or compositions…..
If we could dig a little deeper and think about why we make the art we do….
If we could tell a richer, more personal story about our art…..
If we were willing to go the scary, deep place of who we are, and who we yearn to be in the world…
…People would see our work as the miracle in the world it truly is.
Sharing ‘unique’ processes, ‘unique’ inspiration, ‘unique’ love of color/shape/style, separates us from our audience.
Discovering what makes us tick as a human being, sharing what is truly in our hearts, connects us with our audience.
Be brave. Be YOU.