MY HANDS

This article originally appeared on my first blog site, Radio Userland, on October 27, 2004. Two things astonish me: 1) I don’t remember writing it, and I love it even more today. 2) I sound like Seth Godin! 

My Hands I wrote a book on stamp carving for Lark Books a couple years ago. The oddest thing about the process was when it came time to do the photos for the how-to pages. The editor had me fly in to Asheville, NC to do the shots, and my hands would be in every photo.It was exciting, in a way, but stressful. I became very conscious of my hands and how they looked. They are very capable hands, but they certainly aren’t youthful-looking anymore! For a full month before the shoot, I took extra good care of my hands. I tried not to chew on hangnails, I used hand lotion every day and beeswax every night. I scrupulously did cuticle care. I used tools instead of my fingers and avoided situations where a nail could be broken. I remarked to my sister how important taking care of my hands had become. She told her husband later and he exclaimed, “Oh my God, it’s like that Seinfeld episode!” (Apparently George gets a chance to be a hand model and my obsession was mild compared to his.) Life, indeed, imitates art. But my world got very small for that month. Every action and opportunity was considered for how it would affect my hands. It was a relief when the shoot was over and I could return to my normal, active, haphazard lifestyle again. Why am I writing about hands today? It occurs to me that we need to be careful of giving too much focus to anything that makes our world smaller. Whether it’s our physical self, our emotional self, our spiritual self, our professional self, we need the focus that allows us to put our time and energy into our highest priority. But in return, that investment should make our lives bigger somehow. It should enable us to connect more powerfully to the world, through our art, through our actions, through our relationships with other people. After all, the book got published because of me taking advantage of an opportunity offered by a book editor. And because I created a relationship with her. And because I carve good stamps and make good work. And because she knew she could count on me to do a good job writing the book. And even more importantly, she knew she could count of me to finish it. I wasn’t chosen because of what my hands looked like, but because of what they can do.