I was at a party recently where some of the guests knew I was an artist and others didn’t. A lively discussion ensued about the upcoming League of New Hampshire Craftsmen’s Fair. You can see the new work I’ll be selling at the fair here.
One person, who didn’t realize I was not only an artist but also exhibiting at the fair, exclaimed, “Oh, the real reason we go to the show is to get great ideas and then come home and make it ourselves!”
Fortunately, I’d only had one glass of wine, so I merely replied, “Well, we’re kinda hoping you’ll actually buy something from us, too.” She looked confused, and to her credit, later (when she realized I was an exhibitor) she was a little embarrassed.
I will save for another day my rant about people who think the reason we pay thousands of dollars to do that show is so we can pass on our great ideas to crafters for free. (Buy a book, fercryin’outloud!!)
Another person who had followed my work for years (but never purchased), said she didn’t want to go all the way up to the fair. Could she come to my studio? I told her there was an Open Studio Tour by the League in November, and my studio would be open then.
“I don’t want to wait that long! Can I come sooner?”
I wanted to explain that it was really hard to stop working for an hour or two while a casual looker came and hung out. In reality, I’ve come to realize that most people never really show up anyway. So I just demurred and said that would be fine if she called first.
“Good! I don’t want to pay that store mark-up anyway!” she said.
This is a test. Good reader, what is the correct response to this statement?
1) “Oh, sure, I’ll give you my wholesale pricing!, because you’ve been such a good customer!”
2) “Sure, bring all your friends, too!”
3) “Uh, well, no, but maybe I can give you a little discount.”
4) “Actually, my retail prices are the same whether you buy work from me or from the galleries that carry my work. But you’ll get to see a lot more designs and my new work!”
5) “Hey, how about them Red Sox?!”<
If you answered #4, you are a professional artist behaving like a grown-up.
If you answered #5, you’re probably from New England (but not New York.) If you had said, “How about them hapless Red Sox?” you’re probably from Massachusetts.
What’s wrong with the first three responses?
Choice #1 is wrong on several levels.
First, offering the public wholesale pricing is the fastest way to kill every single relationship with any store/gallery/catalog company you ever deal/hope to deal with. You are totally undercutting their efforts to represent you and sell your work.
And yes, they will find out. It’s a smaller world than you think.
Second, this person isn’t even your customer. Why would you reward someone who refuses to pay your (fairly) priced work at retail?
Third, if you decide to ignore points one and two, and if the person actually buys something, you will have a new “customer” who will now expect to buy from you at wholesale forever.
And they will tell all their friends about it (because we all love a deal, and we all love to tell everybody about our deals.) They will brag about the work they got half-off. They will tell how much they saved.
Soon the people who bought from you at retail (or your stores) will hear about it. They will not like the fact that you undersold your work to someone who simply asked for it. They will feel like idiots for paying full price. Wouldn’t you??
Now you can see that choice #2–encouraging them to bring even more people to buy wholesale–makes the matter worse, faster.
Ditto choice #3. Again, why reward someone who has never bought from you before? Doesn’t it make you mad when your favorite magazine offers great deals to new subscribers? How about rewarding us loyal, repeat subscribers?? Same thing. If you decide to ever offer an incentive, reward the people who already collect your work and/or have supported you early on.
And be forewarned that if you offer a discount, many people will assume that discount is forever. (Human nature at work.)
And because it is human nature to go to shows for inspiration, and to enjoy a bargain, try not to respond harshly to people who speak thoughtlessly thus. Keep your head, don’t take it personally. It is an educational moment. Simply explain why you cannot do that and move on.
Most people will do better when they know better. If not, they aren’t my customer anyway.
Bottom line–you shouldn’t feel like you have to bribe people to buy your work. It should be fairly priced to begin with. Offer discounts when people buy well–when they buy a lot of work. If they spend over $x or buy multiples, offer a discount on one item, or offer a free item. They should get something after they’ve given you something–their hard-earned money for your beautiful work.
Make work you are proud of, and don’t be afraid to be paid for it. Believe your work is worth the price you’ve set. Stand by your prices, and don’t sell your work, your retailers or yourself, short.