In my last blog post, Maybe Languishing Isn’t So Bad? I shared how downtime/slow times may actually be a gift for me right now. I got many wonderful comments which will inspire some new posts. Yippee!
I was gonna get right on them. But then something happened that took priority.
Of course, I can’t find it now (!!!!) but someone mentioned Elizabeth Gilbert’s book, Big Magic. (I highly recommend using Bookfinder.com to find the book at the price and in the condition you’re willing to pay for.)
Then an email newsletter featuring an interview with the author appeared in my inbox, with some quotes from the book. (If you prefer podcasts over a read, here’s an NPR radio interview with the author instead, to get a sense of what the book’s about.) Signs from the universe! I ordered a copy, and boy, am I glad I did.
First, Gilbert and I are on the same page about creativity. Her definition is wide and deep (like mine), she encourages us to make room for it somewhere in our life, whether we can earn a living at it (like I do), and whether or not we’re good at it (my creation story!) My copy of BIG MAGIC already has dozens of bookmarks with lots of exclamation points. I’m only four chapters in, and I have pages of notes.
Second, she has some unusual thoughts about where/why/how ideas find us, and her story about that is amazing. (For a short version, try this review: Ann Pratchett and Elizabeth Gilbert’s unknown collaboration. But trust me, the detailed version is jaw-dropping when it comes to its synchronicity!)
Third, we also agree that when it comes to the most important thing about our creative work, whatever it is, however it manifests itself: It’s not about having an audience, it’s atbout having a voice.
The weirdest insight? This one:
To put the story in perspective, consider this fact: The earliest evidence of recognizable human art is 40,000 years old. The earliest evidence of human agriculture, by contrast, is only 10,000 years old. Which means that somewhere in our collective evolutionary story, we decided it was way more important to make attractive, superfluous items than it was to learn how to regularly feed ourselves.
And if we consider the fact that the world’s oldest-known human-made artifact (a shell drilled so it could be worn as a bead) is estimated at 100,000 years old, well, we have a lot of history/prehistory riding on human creativity.
And that ancient cave art, and even that shell bead, what do they signify?
A deeply-rooted desire to be part of a tribe, a community. AND to be seen as an individual in that community.
I’ll keep this one short today (NO CHEERING FROM THE BLEACHERS) because I want to address many of the other insights I got from the comments.
Yes, it’s a little bit woo-woo, and usually, I’m not into that. But I also have to admit, the synchronicity of my creative life, the little miracles that cross my path, have allowed me to at least say, “There’s a lot we just don’t know about our creative selves, and I’m okay with whatever encourages me to stay with it.” Because that’s what Gilbert does: Shares her insights, experiences, and observations that encourage us all to keep making the work that heals us.
All humans are creatives, if we simply expand our definition and expectations of ‘creativity’.
Don’t measure it. Don’t question it. Don’t demean it. Don’t judge it.
Embrace it. Respect it. Honor it. Make room for it. Feed it.
Now git to your sacred creative space today, whether it’s a studio, a closet, a garden, a hospital, an office, or your computer.
And do/make/create/heal/edit/curate/fix/restore/grow/nourish/teach something.
Coming soon: The more practical insights into all the questions y’all asked last week!
I hope this helps you find your balance again today. If you’ve already found that place, share it in the comments. Someone else may find your experience enlightening!
If you found this helpful, and know someone else who might find it useful, share it!
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