More thoughts on “perfection”….
I created this shadowbox a year or so after we moved to California:
Then last year, I made some changes, adding another ‘base’, removing the lower bear and adding fish.
Yesterday, I decided it would be the work I bring to Corrick’s Stationery, Gallery, and Gifts on 4th Street in Santa Rosa CA for their upcoming preview exhibit for Sebastopol Center for the Arts‘ combined Virtual Open Studio events in October.
But it needed something. So I spent the day adding tiny bits of sanded and plished driftwood, and…an otter!
It’s not that the first version wasn’t good enough. Nor the second. I liked them both!
But sometimes, one of my pieces just keeps ‘growing.”
It’s also part of my story.
I started with a big quilt, then moved to baby quilts. Then quilts for my kids’ dolls and toy animals. Then they became wall pieces, then wall hangings, and now including framed fiber collages.
My aesthetic was always ‘time-worn’, influenced by Amish quilts (reusing/repurposing pieces of worn-out clothing for the quilt squares) and Japanest scroll paintings (which, when damaged by time, were carefully remounted on new silk backgrounds.) Then wabi sabi, the acceptance–and new beauty–to be found in the worn and broken. The knowledge that, in ancient times, every effort was made to repair, emake, reuse, repurpose whatever took a lot of effort to create.
So every time I remake/repair/add on something to an older piece, it’s actually part of my process and aesthetic.
It only stops when it goes to YOUR home.
Unless, of course, your rabbit nibbles the edges, or your dog breaks your necklace, or your cat knocks my sculpture off your piano. (All of these are true!)
And then I come to the rescue, again. Grateful that these re-do’s and repairs are inherent in all the work I do.
Happy to be able to restore your broken and damaged work, so they can continue to give you years of joy.
Also curious… Which one do YOU like better?