Sometimes perfecting the best booth you have isn’t good enough. Sometimes having the best booth, period, isn’t good enough.
What I mean by the first statement is, sometimes we get stuck trying to perfect something that isn’t the best solution in the first place.
Take my search for the “perfect track lighting.” I constantly worked, reworked and replaced my track lighting for my booth. I experimented with light bars, cross bars, looked for more reliable systems and flexible lamps.
I finally got to the point where I realized I hate track lighting. It’s just not the best solution for my booth. The last two shows, I didn’t use any track lighting at all–just gooseneck clamp-on halogen lamps. They are easier for me to ship/pack/set-up and have fewer things to go wrong (fewer electronic connections, for one thing!)
Or my search for the “perfect table display”. My very first booth set-ups included those dreaded folding tables I’ve been harping on throughout this series. I experimented with different drapes and decorations. I tried to make them taller. Then bought narrower tables–before realizing I was never going to get them into my little car. And I was never going to get the professional-looking display I needed with them. I invested in Dynamic Display cases, sometimes augmented with Abstracta, and never looked back.
Then there was my search for the “perfect pipe-and-drape walls”. I struggled with various fabric walls–purchased pipe-and-drape, making my own drapes, adding various shades and blinds to make them stiffer and more stable for displaying my wall hangings. The happiest day of my life was the first day I set up my new Propanel walls.
So sometimes you have to persevere to find the right working version of something for you. But sometimes you just have to start over with something totally different.
Then again, sometimes even that perfect booth isn’t enough.
In 2007, I did two wholesale shows with my “perfect booth.” Okay, I know it’s still not perfect in many ways, but it was beautiful and got rave reviews. The display fell away, the work stood out, and was well received.
But I had the right work at the wrong show. Or the wrong work at the right show, if you want to look at it that way. I had de-emphasized my jewelry to promote my fiber work. It didn’t work.
You can have the best booth in the whole world. But if you have not targeted the right market for your work, you will not do well.
If you don’t do a preshow mailing to your audience, they won’t know you’re there.
If your work is high-end, and the show is low- to mid-end, they will not buy.
If your work is contemporary, and the show is country/folk, they will not buy.
If you specialize in Christmas decor and it’s a retail show in spring, you probably will not do well.
If your work is a little pricey and unusual and not a gift product, you may not do well at Christmas shows.
So what’s a craftsperson to do?
Stick with it. Observe. Learn. Get better.
No one said it would be easy. If it were, everyone would be doing it!
You keep doing it because you believe in your work, and you believe there are people out there who will love it as much as you do.
You try this, you experiment with that, you tweak this and you replace that. You work hard to get into that dream show, that perfect show for your work. And a few years later, you struggle to find the courage to leave that “perfect show” that is no longer the best marketing strategy for your work.
There is no “finish line” you cross where you finally realize you’ve made it. There is no final formula for success.
There is only another exciting challenge ahead of you.
The downside? It can be exhausting.
The upside? It’s good for you! Aimee Lee Ball writes about “THE NEW & IMPROVED SELF-ESTEEM” in the January 2008 issue of OPRAH magazine. Research shows that the brain grows more neurons when challenged. By struggling to figure this stuff out, we get smarter, and more competent.
So don’t despair if it all seems like too much sometimes. Remember–this is IQ training for your LIFE.