So how has my experiment with avoiding the computer and phone calls been progressing? I would say very well indeed!
I’ve tried to avoid as many distractions as possible. When I hit my studio first thing in the morning, I sit at my work table, not my computer. When the phone rings, I check to see if it’s a call that has to be answered, or can wait. If I’m not sure, I listen to the message to check. If I’m already doing handwork that’s compatible with listening, I pick up. I’ve tried to limit the calls and get as much information by e-mail as I can.
I’ve been reworking some small fiber collage fragments, making them into miniature wall hangings. They’re looking good! I even have a stash of very tiny beaver-chewed sticks to hang them with, collected for me by fellow polymer artist Connie Gray.
I’ve been working much more steadily on new jewelry designs. If you check out my new website, you’ll see the colorful new work that’s literally been flowing through my hands.
What I love best about it is that it all came as a natural evolution, starting with that one customer’s special order request for a “black bird” artifact over a year ago. The “bird” part became a new animal motif and the “black” part became a new faux finish technique (soapstone).
As I experimented with the soapstone finish, I remembered that some of my Inuit soapstone carvings were actually greenish in hue–more like steatite than soapstone. I made “green soapstone”. These two different hues in turn led to both of my new colorways: The soft gray-black artifacts complimented by intense coral red, lapis blue and turquoise green (the Mojave series). The slate green artifacts accented with “water” colors–translucent aquas, ice blues, pale sea greens (the Glacier series. You can see my new jewelry with all these luscious new colors.
Again, all natural progressions, following a line of thought and listening to the artifacts themselves. Not some self-imposed “change for the sake of change” thinking, which for ME always leads to artificial places and shallow waters.
Unfortunately, this process has impacted my writing. It’s been harder to write regularly. There’s no angst to work through. Okay, not as much angst. There’s still plenty of emotional drama in my life!
Then I realize it’s just as important to share what’s working. To talk about what’s going well.
In fact, that’s really important–to dwell on the good stuff. We tend to focus on what’s going wrong, and not on what’s going right. It’s our human nature–we’re hardwired to pay attention to bad stuff–but this is one aspect of my nature I’d like some balance restored to!
Now, what about my attempts to restore order and organization to my studio?
Hmmmm….well, let’s just say I’m not in a position to post any photos of my worktable….